India Amarteifio and Golda Rosheuvel rock some beautiful jewels as young and old Queen Charlotte in the series (Photo: Instagram / @queencharlottenetflix)
Cover India Amarteifio and Golda Rosheuvel rock some beautiful jewels as young and old Queen Charlotte in the series (Photo: Instagram / @queencharlottenetflix)

If you love the jewels on the show as much as the steamy plot, here are some reasons why you’re drawn to these gorgeous pieces

Queen Charlotte: A Bridgerton Story, which dropped on Netflix earlier this month, has twirled us into the bedecked and bejewelled world of Georgian and Regency era England (with the show specifically set between 1761 and 1819), to follow the love story between a dashing King George III (Corey Mylchreest) and a headstrong Queen Charlotte (India Amarteifio) that blossoms over ballroom dances—and underneath a bed.

Beyond the romance, what draws fans of the Bridgerton franchise to this silk-and-tulle spinoff series are the elaborate outfits and jewellery, which are fantastical interpretations of historical styles but swoon-worth nonetheless. Here are some reasons why Georgian and Regency era jewels are so special.

Read more: How Kate Middleton honoured Princess Diana at King Charles III’s coronation

Handmade jewellery

Before mass production of jewels came into play during the Victorian times, which quickly gained popularity among the new middle class, the Georgian and Regency periods were the last in which jewellery was only made by hand. The highly trained artisans would hammer gold and other malleable metals and work them into intricate designs, and they would also hand-cut the precious and semi-precious stones for each piece. (No pressure.) This is why jewellery from this period in history tends to have imperfections, such as stones within one piece that differ ever so slightly in shape and size. Also, the gems were cut in such a way to reflect candlelight in extravagant ballrooms, and to draw attention to its wearer—a true testament to the artisans’ high standard of craftsmanship.

Sentimental jewellery

Baubles from this period were often steeped in sentimental value. Noblemen would gift their beloved acrostic ornaments with hidden messages that spelt out words such as “Regard”, “Forever” and “Love” when the gems were placed a certain way. Also prevalent was the custom of wearing mourning jewellery—an example of this can be seen on the young Lady Danbury (Arsema Thomas) after her husband’s death. These bereavement jewels were made of black materials such as jet, onyx, black enamel, and black rubber extracted from trees in Southeast Asia.

Paste jewellery

Paste jewellery are pieces made with cut glass that are designed to look like real gemstones, and they were common in the Georgian and Regency periods. The wealthy, fearing robbery on long journeys, would wear paste jewellery in place of their more expensive pieces, and paste jewellery was often crafted by the same jewellers who worked with real gemstones, so it wouldn’t have been unrealistic for paste jewels to look, at a glance, as good as the real thing. If you remember, season two of Bridgerton included a subplot involving a fake ruby necklace made of glass that successfully fooled many—including a jewellery expert, albeit only based on the naked eye alone and the ruse didn’t last long thereafter.

Coral jewellery

Sought after for its perceived protective powers, coral was a popular choice during the Georgian and Regency eras. Countless portraits from these periods show its subjects, who were sometimes even children, wearing coral necklaces, bracelets and amulets to ward off evil. Coral’s bright hue also became symbolic of one’s good health in artworks from this time period. In one scene from Queen Charlotte: A Bridgerton Story, the young queen wears a parure of red stones, which can be interpreted as a nod to these eras’ fondness for wearing coral.

Elaborate headgear

Be it tiaras, crowns or hair ornaments featuring outrageous ostrich feathers, the headdresses of Georgian and Regency eras reached towering heights, and were often paired with elaborate coiffure in the form of tight ringlets, exaggerated waves and romantic curls. The costume designers of Queen Charlotte: A Bridgerton Story pay homage to the vertically imposing headgear of history through similarly intricate headdresses worn by the ladies of the ton. Our favourite were Queen Charlotte’s wedding tiara and the majestic gem-studded crown she wore at King George’s coronation.

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