When the former editor-in-chief of Elle Malaysia was selected to be the stylist for blockbuster Crazy Rich Asians, at first she didn't believe it. But then she realized that not giving themselves enough credit is a problem that many successful women face today
Andrea Wong didn’t study fashion. Though she has a degree in media and communications, the start of her career came by chance when her job application to Harper’s Bazaar Malaysia’s marketing department sat on top of a rejects pile and got picked up by a fashion editor who was looking for a coordinator at the time. “I remember once the fashion director asked me who some of my favourite designers were and I said Tom Jones instead of Tom Ford,” she says, laughing at the memory. “That’s how green I was.”
Five years later, Wong managed to rise up the ranks and eventually became the publication’s fashion editor. Leaving soon after to focus on styling, she quickly carved a name for herself by dressing prominent figures for covers and speaking passionately on industry panels. “That was when I slowly began to believe in my own capabilities and taste, because I had no one to fall back on,” she says.
(Related: Net-A-Porter Global Buying Director Elizabeth von der Goltz On Being a Good Role Model For Women)
When Mongoose Publishing—which distributed the local Time Out and Esquire editions—wanted to open Elle Malaysia and asked Wong to launch its inaugural magazine in 2014, she leapt at the chance to bring a new editorial voice to Kuala Lumpur. “Originally the publisher just wanted me to create a female version of its male titles, but it was important to me that I kept Elle’s international DNA of talking about real issues pertaining to women’s lives.”
One such topic is the lack of self-confidence women often feel when it comes to enjoying success in their careers. Wong was guilty of it herself when Hollywood came knocking. In 2017, she got an email from producer Nina Jacobson, who was working on the film Crazy Rich Asians and needed a local stylist to dress the cast. “I thought I was being pranked,” Wong says. “I wouldn’t allow myself to believe it until I had sat down with Nina, the director Jon Chu and costume designer Mary Vogt that very evening, and started working on the film the next morning.”