After introducing her Suvarnabumi homeware line in December 2019, just before the global shutdown, the fashion designer has now debuted a collection of ceramics produced in Bali called Tropicana—a by-product of her being homesick for the tropics while stuck in London
Even a pandemic can’t stop the prolific creator. Restless during quarantine in London this year, where fashion designer Priscilla Shunmugam has been based since 2018, she dreamt up a new expression of rattan, elevating the humble Asian material instantly into Insta-worthy creations the moment it launched last month. As with everything Ong Shunmugam—her eponymous label—the new rattan range augments its Suvarnabumi line of homeware. It also continues the brand’s philosophical conversation on culture, heritage and identity, traversing proverbial borders with its artful weaving of batik from Indonesia, jacquard from China and indigenous Iban weave patterns into a mixed medium medley of dining chairs and tables, divider screens and planters.
Indeed, the notion of identity has informed much of Shunmugam’s fashion career. “I never really fit neatly into categories, as a mixed-race kid having grown up in Malaysia then moving to Singapore and people claiming me as Singaporean,” muses Shunmugam, who turned 39 this year. Born in Kuala Lumpur to a Chinese mother and an Indian father, Shunmugam was an active child who displayed both right- and left-brained tendencies early on with interests as varied as piano and ballet to competitive swimming.
She then moved to Singapore to read law at the National University of Singapore. After working as a lawyer for a year, Shunmugam ditched a promising legal career to study dressmaking in England. It was there, surrounded by sewing machines and bales of fabric, that she found her true calling. It was the start of an endlessly inspiring tale where, with no formal design training, the largely self-taught designer launched Ong Shunmugam in 2010, funded with $20,000 from close friends—and sheer willpower.