Cover Wendy Lin (Photo: Courtesy of Wendy Lin)

Earlier this year, Wendy Lin was named the new chairman of Sotheby’s in Asia. She speaks to Tatler about the thrill of a telephone bid and how she hopes to make others see the world from a different perspective

Having first joined Sotheby’s in 1997 to grow the business across Asia, US-raised, Taipei-based Wendy Lin left and returned to the company in 2013 to become the managing director of Sotheby’s Taiwan and subsequently deputy chairman of Asia in 2018. Before rejoining Sotheby’s, Lin worked for Chanel, growing its fine jewellery and watch business in Taiwan.

Lin has played a key role in numerous record-breaking sales, including the auction debut of the late French Chinese painter Sanyu’s 1963 piece Branches, which went under the hammer for US$11.1 million in 2022.

The auction house is celebrating its 50th anniversary in Asia this year, with a new house opening next year in Hong Kong. Here, Lin speaks to Tatler about her secrets for success.

When did you realise you had a passion for the arts?
I have always loved reading about art and then seeing it in person, and having some kind of dialogue and connection [with it]. In a painting, you can be immersed into a beautiful scene in Versailles in the 19th century. With a delicate imperial porcelain bowl, you can imagine an emperor and his lavish lifestyle in the palace.

Even as a child, I was always fascinated with ancient history, from the Greek and Roman empires to Chinese ancient history, and the arts and cultures behind these civilisations. In every civilisation, art played an instrumental role in inspiring and shaping the minds of its people. I like to think of myself as a lifelong student of art and history.

You have a background in fashion and experience in jewellery, with a graduate gemologist degree from the Gemological Institute of America. How do you relate this to your role at Sotheby’s?
Even when I was at Chanel or studying as a gemologist, I was still in the art world. Fashion is art—you can’t separate them—and the same applies to gemology. When I see a red vivid Burmese ruby that was created a billion years ago as the centre stone of a necklace once worn by an empress of Russia, I am immersed in the art world. Art is everywhere.

How does your business make a difference?
I see our business as a vehicle for seeing the world from a different perspective. Sotheby’s is more than an auction house. We want to showcase the greatest discoveries our world has created, from those in nature to the greatest artists, and be with the collector during this personal journey in art.

What do you put your success down to?
Perseverance and a combination of luck and karma. Success is hard work—there is no shortcut.

What has been the most memorable experience you’ve had with Sotheby’s so far? 
My first auction at Sotheby’s was in autumn 1997. We had this amazing, single-owner sale of the [late, Swiss American] photographer Robert Frank’s collection of Sanyu [images]. It is by the far the most comprehensive presentation of Sanyu I have ever encountered, and I was very moved by the strong friendship between the photographer and the artist. The sales room was filled with energy and I was just engulfed in excitement. It was my first time telephone bidding for a client and I will never forget it.

How have you overcome career obstacles?
I haven’t had any big career obstacles, but I’ve definitely had challenges. I had lived in Japan and the US my entire life, and when I moved to Hong Kong in 1997 after graduating from university, my Mandarin skills were elementary. It was very challenging when I first worked at Sotheby’s in my twenties. I had to write everything in pinyin and practise even the simplest conversations before calling my clients. I would often think: “I may speak with an accent, but I don’t think with an accent!” I would try not to get discouraged by stereotypes. When learning a new language, you must have courage and not be shy.

How do you plan to develop Sotheby’s?
Over the past two decades, I have seen how the Asian collecting scene has developed and flourished. Hong Kong is the beating heart of the art market, and [there is] potential to grow Singapore as an arts hub in Southeast Asia. I would like to see Sotheby’s bring firsts [to Asia] by introducing new sale formats or categories that will cater to the new generation of collectors. The vision for Sotheby’s is to continue to bring global connectivity to our collectors, so that no matter where they are in the world, they can actively take part in our experiences and auctions.

What is one surprising thing about you that most people don’t know?
I grew up in Salt Lake City, Utah, and went to a small private school that was famous for training students to compete in downhill skiing. Some of my classmates were medal winners at the Olympics. Our entire school went skiing on Fridays as a winter sport. What a way to end the school week!

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