Cover Joe Hisaishi (Photo: courtesy of Omar Cruz)

The Japanese composer, who created the film score for Studio Ghibli animations, including ‘Howl’s Moving Castle’ and ‘My Neighbour Totoro’, spoke to Tatler ahead of his upcoming concert in Hong Kong

After five long years and several cancellations during the pandemic, Japanese composer-conductor Joe Hisaishi will be returning to Hong Kong for three concerts from June 22 to 24, 2023 at the Hong Kong Cultural Centre.

Cathay Proudly Sponsors: Joe Hisaishi in Concert, performed by the Hong Kong Philharmonic Orchestra (HKPhil), will feature three pieces by Hisaishi—the first time these pieces will be performed live in the city: Symphony No. 2, a three-part work—made up of What the World Is Now, Variation 14 and Nursery Rhyme—that premiered in 2021 and documents the process of self-discovery; Woman, a lighthearted piece created for the strings, harp, percussion and piano; and the full Princess Mononoke Symphonic Suite as the finale, a dark and somewhat haunting work created for Princess Mononoke, the 1997 fantasy animation by iconic filmmaker Miyazaki Hayao that explores the intricate and potentially destructive relationship between humans and nature. The solo in Princess Mononoke Symphonic Suite will be sung by local soprano Louise Kwong, who also performed a solo in Hisaishi’s last concert in Hong Kong in 2018.

Music from Studio Ghibli films was also incorporated in Hisaishi’s previous concerts in Hong Kong. In 2010 he’d included Prime of Youth, The End of the World, Kiki’s Delivery Service, Departures, One Summer’s Day, Water Traveller, Summer, Ponyo on the Cliff by the Sea and Oriental Wind; and in 2018 he’s included The East Land Symphony, mládí for piano and strings and Symphonic Suite Castle in the Sky.

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Tickets for Cathay Proudly Sponsors: Joe Hisaishi in Concert are expected to be in high demand, and will be sold through a ballot and real-name ticketing system. Registration for the ballot will be open on the Urbtix website from May 22, 2023 and successful applicants will be limited to the purchase of two tickets max.

Tatler recently had a chat with Hisaishi on his third concert in Hong Kong and his upcoming plans at the Hollywood Bowl in Los Angeles.

Tatler Asia
Above Joe Hisaishi (Photo: courtesy of Dai Niwa)

Your last visits to Hong Kong were in 2010 and 2018. What brings you back again this year?
I like Hong Kong and I want [to bring joy to] Hong Kong people with my music.

What are you excited about for this upcoming concert?
The concept of the concert is the same, but I am happy to perform Princess Mononoke Symphonic Suite this time.

How did you go about creating Symphony No.2?
I wanted to compose in a minimal music style, which became Symphony No. 2. I used an ancient Japanese tune in the third movement, which makes this symphony interesting.

Tatler Asia
Above Joe Hisaishi (Photo: courtesy of Dai Niwa)

How do you find the music scene of Hong Kong?
My last visit to Hong Kong was five years ago, so I do not know much about it. But I would like to find out when I visit this time.

What do you remember or like most about this city?
The weather in Hong Kong I love very much. (Hisaishi’s previous visits were in December and May.)

What is your favourite city to perform in?
Wherever there is a very good orchestra, which also brings with it a very good audience. That’s where I am most happy.

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What is the most challenging part about being a composer?
Creating something every day.

What other genres of music do you like besides symphonic music?
I like all kinds of music.

What are your upcoming plans and projects?
I got offered [the opportunity to hold a concert] at the Hollywood Bowl with the Los Angeles Philharmonic, and a live concert with screenings of Studio Ghibli films performed by Washington National Symphony Orchestra this year. These are very exciting.

June 22 to 24, 2023. Hong Kong Cultural Centre. Find out more at hkphil.org

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