We have a chat with the art dealer and curator of Luxembourg & Dayan’s booth ‘Modern Figures’ at Art Basel in Hong Kong
Tell us about curating for Luxembourg & Dayan’s booth ‘Modern Figures’ at Art Basel in Hong Kong?
The best contemporary artists are great students of historical art. Richard Prince said something simple but profound, “Art is about continuity and contribution.” The artist is part of a continuity of artists from history and you cannot have innovation without a dialogue with what’s gone before. Spending most of my time in contemporary art, I try to make time to understand the historic.
I’ve also been involved in writing a book on new figurative paintings and it’s gotten me into thinking of its history; that's where [the ideas behind the curation] come from. There will be a thesis about ‘wrongness’ in modern figuration: the ‘right’ way which is more Pablo Piccaso and Henri Matisse, and a ‘wrong’ way which is a strain from Francis Picabia to Giorgio de Chirico. Many of great contemporary artists who did it the ‘wrong’ way, like Picabia, are very esteemed by the emperors.
Why did you bring this particular group of artists together? Why did you think they would work well at Art Basel in Hong Kong?
We have artists on the "right" side, like Picasso, and then we found two very interesting Picabia transparencies, a Balthus, a de Chirico. I wanted to present this interesting new view. I had been planning to do an exhibition with curator Alison Gingeras at the Musem of Contemporary Art in Los Angeles called 'Wrong Figures'. I left before we were able to do it but I still remained interested in this topic.
Art Basel wanted Luxembourg & Dayan to have this historic programme. I’m old friends with Daniella Luxembourg and Amalia Dayan, who was my intern but quickly became a director because she was so talented. They knew I was interested in this topic and asked me to help assemble the work for the booth and give it an intellectual framework. This is part of Art Basel's commitment to present the historical perspective in addition to contemporary galleries.
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